https://mariekevandenbosch.com mariekevandenbosch.com Wed, 23 Apr 2025 06:56:53 +0000 https://mariekevandenbosch.com en https://mariekevandenbosch.com/Home-Front-Page-1 Wed, 23 Apr 2025 06:56:53 +0000 mariekevandenbosch.com https://mariekevandenbosch.com/Home-Front-Page-1 Production designer&nbsp;Marieke van den Bosch&nbsp;based in the Netherlands&nbsp; Production Designers Collective member European Film Academy member ACM Filmprofessionals board member Dutch Academy For Film member ︎Email-&gt;&nbsp;IMDB Instagram &lt;- Bio<img width="960" height="720" width_o="960" height_o="720" data-src="https://freight.cargo.site/t/original/i/ea82293ace73d21f2cdb5aa6a01512e113f94c88b3fd2bb4cc063b06e7747723/Foto_mvdB.jpg" data-mid="230558794" border="0" data-scale="21" src="https://freight.cargo.site/w/960/i/ea82293ace73d21f2cdb5aa6a01512e113f94c88b3fd2bb4cc063b06e7747723/Foto_mvdB.jpg" />&nbsp;Marieke van den Bosch is an emerging production designer in art-house cinema.&nbsp; A messy tribute to motherly loveproduction design <img width="1190" height="1683" width_o="1190" height_o="1683" data-src="https://freight.cargo.site/t/original/i/1d4e644fcf049ab815d22f14c4e03b65d4051586b25ca0c04243f0f42faf555d/A-Messy-Tribute-To-Motherly-Love-poster.png" data-mid="241863894" border="0" src="https://freight.cargo.site/w/1000/i/1d4e644fcf049ab815d22f14c4e03b65d4051586b25ca0c04243f0f42faf555d/A-Messy-Tribute-To-Motherly-Love-poster.png" /> A contemporary fairy tale for adults about the make-ability of life and a personal journey to happiness, all set in a world where people explode from stress. Village piano tuner Samuel Dirk (48) is cleaning up his house after his wife recently exploded from stress. His magical jam-making mother wants to help, and ropes in Samuel’s oldest friend Edwin, hoping to make Samuel’s life ‘complete again’. They pursuade Samuel to go on a bonking German joy-ride, forcing him to consider the question: what is the make-ability of a happy life? Samuel returns home with new prospects and for one last taste of his mother’s magical jam mixture.Tiger Competition IFFR 2026 Runtime: appr 90 minDirector: Dan GeesinProduction Design: Marieke van den BoschCostume Design: Magdalena Persona Hair and Make-up Design: Demi van RooijenJanine’s Roomproduction design <img width="3600" height="2700" width_o="3600" height_o="2700" data-src="https://freight.cargo.site/t/original/i/54e883faa09c6608d6deb2f74cba04adca967d47be9eac66180ae3b986c41dee/04_JaninesRm-still_E294ACC2AEFTan.jpg" data-mid="242442007" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/54e883faa09c6608d6deb2f74cba04adca967d47be9eac66180ae3b986c41dee/04_JaninesRm-still_E294ACC2AEFTan.jpg" /> Part of exhibition Monomania at Rijksmuseum Amsterdam 4 July 2025 - 14 Sep 2025 Janine’s Room 35mm on film black and white&nbsp; loop duration 17min 43 sec. Artist Fiona Tan &nbsp;We created this set with (art department): Fien Lute, Athina Liakopoulou, Phoebe Mine de Geus, Marnix Bloemberg, Aengus Havinga. Three generations Research [ongoing] <img width="1285" height="1931" width_o="1285" height_o="1931" data-src="https://freight.cargo.site/t/original/i/9c3b07e4bbb03fa4c25480079c104098b92a8faa68eca0b1bd2184de0344a286/Stuttgart-vrouw.png" data-mid="230558758" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/9c3b07e4bbb03fa4c25480079c104098b92a8faa68eca0b1bd2184de0344a286/Stuttgart-vrouw.png" /> Three women. Three generations. The element of time.&nbsp; Diversity and Inclusion: Seeing different perspectives, equality. Blind spots and (unconscious) biases. Intention vs impact. Stereotyping vs Empowering. Cultural Appropriaton.&nbsp; Filmforward de vrijplaats residencyResearch <img width="1818" height="1228" width_o="1818" height_o="1228" data-src="https://freight.cargo.site/t/original/i/4e3cd3e524f3db80e03d94b8c5fdc680747c5c38b2626cb8c6a730d63015bde7/A061133-R1-11-11.JPG" data-mid="230558795" border="0" src="https://freight.cargo.site/w/1000/i/4e3cd3e524f3db80e03d94b8c5fdc680747c5c38b2626cb8c6a730d63015bde7/A061133-R1-11-11.JPG" /> <img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/10f5ca23ecc782639584ad6ca777b9fd90af4068bf8ebabefaa3fce664dae72f/6f3e93e9-010b-4e26-89a2-8b85c8ef8efb.JPG" data-mid="241600455" border="0" src="https://freight.cargo.site/w/1000/i/10f5ca23ecc782639584ad6ca777b9fd90af4068bf8ebabefaa3fce664dae72f/6f3e93e9-010b-4e26-89a2-8b85c8ef8efb.JPG" /> <img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/1b96142a0214796d7a2c40be4e09f05681e7ccd7033b17d608575a6c05a671d9/bbf7ea65-2689-4417-aa19-e9545e7a0380.JPG" data-mid="241600458" border="0" src="https://freight.cargo.site/w/1000/i/1b96142a0214796d7a2c40be4e09f05681e7ccd7033b17d608575a6c05a671d9/bbf7ea65-2689-4417-aa19-e9545e7a0380.JPG" /> <img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/2af9bfe0b4e8aed7840693f47462a5ed28ff01bc60ec109428973ac31845f905/81bd32c9-b5f7-48a1-a355-34d62ceb68bf.JPG" data-mid="241600459" border="0" src="https://freight.cargo.site/w/1000/i/2af9bfe0b4e8aed7840693f47462a5ed28ff01bc60ec109428973ac31845f905/81bd32c9-b5f7-48a1-a355-34d62ceb68bf.JPG" /> <img width="934" height="675" width_o="934" height_o="675" data-src="https://freight.cargo.site/t/original/i/2222f53104f2a916575144e5bb2193076f7777a7d209f43493bb59f608e984b1/set-priorities-and-define-the-rabbit-holw.png" data-mid="241600507" border="0" src="https://freight.cargo.site/w/934/i/2222f53104f2a916575144e5bb2193076f7777a7d209f43493bb59f608e984b1/set-priorities-and-define-the-rabbit-holw.png" /> How can we communicate our initial ideas as a production designer more clearly to the other department heads during the development phase of a film?&nbsp;End 2024, beginning 2025 I joined the residency at the Vrijplaats from Filmforward. Filmforward set up a program for people that work within the field of film in the Netherlands and would like to professionalise or focus on a certain aspect of their profession. This year we're with 5 production designers from the Netherlands working on different research questions. I’ve started working on a roadmap for the pre-production of a production designer. Online I made a Inquiry and asked a few collegues for their contribution concerning; how to approach research? I would like to understand how colleagues dive into different sources of information and how they filter that material towards the other heads of department. Goal: mapping the pre-production and create a road-map. Why? In order to communicate more clearly what the needs are in pre-production. That hopefully results in a more coherent design. After the first steps I started working with Christian Echenique to create an interactive roadmap. We presented our idea in Amsterdam on July the 2nd. To be continued.. extract below of the first inquiry: <img width="1556" height="1044" width_o="1556" height_o="1044" data-src="https://freight.cargo.site/t/original/i/a5efbe0c6615182eb2c4e5d99a0edb7f1a8a5662587b9d70a69b29f23479c688/Screenshot-2025-04-16-at-3.33.58PM.png" data-mid="230558796" border="0" src="https://freight.cargo.site/w/1000/i/a5efbe0c6615182eb2c4e5d99a0edb7f1a8a5662587b9d70a69b29f23479c688/Screenshot-2025-04-16-at-3.33.58PM.png" />“What are the concepts of the way we think and approach, how can we hack that? “ New ways of narrative to change the world. Framing the narrative. The ability to tell story’s.” The young man as a movie starproduction design&nbsp; [Film installation] <img width="3217" height="1809" width_o="3217" height_o="1809" data-src="https://freight.cargo.site/t/original/i/e85c82016479074a00d00321e284125fd49eca2a6891f36af6a3fe065c58fc2b/Paranoia-9.png" data-mid="230558763" border="0" src="https://freight.cargo.site/w/1000/i/e85c82016479074a00d00321e284125fd49eca2a6891f36af6a3fe065c58fc2b/Paranoia-9.png" /> <img width="3224" height="1802" width_o="3224" height_o="1802" data-src="https://freight.cargo.site/t/original/i/672b070c172bb0d5b0111e4dd788e01a247176bf9333692ed7ffaca02c2fae8c/Paranoia-8.png" data-mid="230558764" border="0" src="https://freight.cargo.site/w/1000/i/672b070c172bb0d5b0111e4dd788e01a247176bf9333692ed7ffaca02c2fae8c/Paranoia-8.png" /> <img width="3223" height="1814" width_o="3223" height_o="1814" data-src="https://freight.cargo.site/t/original/i/0bc299437021fd319a39ed2226c5dfe8d3677d92a023758afe93e3d68ebe92b9/Paranoia-18.png" data-mid="230558801" border="0" src="https://freight.cargo.site/w/1000/i/0bc299437021fd319a39ed2226c5dfe8d3677d92a023758afe93e3d68ebe92b9/Paranoia-18.png" /> <img width="3229" height="1820" width_o="3229" height_o="1820" data-src="https://freight.cargo.site/t/original/i/a9a86139edfcdcfb39d679015b423cdcf78f91fdb550ea71d2bba3db8e675cd9/Paranoia-2.png" data-mid="230558800" border="0" src="https://freight.cargo.site/w/1000/i/a9a86139edfcdcfb39d679015b423cdcf78f91fdb550ea71d2bba3db8e675cd9/Paranoia-2.png" /> <img width="3209" height="1804" width_o="3209" height_o="1804" data-src="https://freight.cargo.site/t/original/i/319821fbdb5f122b06a3a6faba9003b6d32e2fb53e4214340b841f9e63265783/Paranoia-10.png" data-mid="230558799" border="0" src="https://freight.cargo.site/w/1000/i/319821fbdb5f122b06a3a6faba9003b6d32e2fb53e4214340b841f9e63265783/Paranoia-10.png" /> <img width="3222" height="1815" width_o="3222" height_o="1815" data-src="https://freight.cargo.site/t/original/i/e92bcec25afb87269623d96b14d1c86ab5730dcc50177a2f3ed02b8a7ede5fb2/Paranoia-16.png" data-mid="230558797" border="0" src="https://freight.cargo.site/w/1000/i/e92bcec25afb87269623d96b14d1c86ab5730dcc50177a2f3ed02b8a7ede5fb2/Paranoia-16.png" /> The Young Man as a Movie Star: Paranoia, Opulence, Perversion, Competition. Is based on the young male character and his role in cinema. Using the well-known male directors Hitchcock, Godard, Spielberg and Von Trier – each iconic for a different period in film history - a period in time when the concept of masculinity definitively shifted – different possible relationships between a 20-year-old man and 45-year-old woman are explored in this work. <img width="1024" height="576" width_o="1024" height_o="576" data-src="https://freight.cargo.site/t/original/i/d493b598a752c53c1d95255beac42ad5058953b6d7f568b106ff35f58d4680aa/OQSQ8760.jpg" data-mid="230558802" border="0" src="https://freight.cargo.site/w/1000/i/d493b598a752c53c1d95255beac42ad5058953b6d7f568b106ff35f58d4680aa/OQSQ8760.jpg" /> <img width="2725" height="1810" width_o="2725" height_o="1810" data-src="https://freight.cargo.site/t/original/i/dbfc4caab02933270cdd11b84c75fba31e9d423c57aa2034268121c62dd043fd/Opulence-15.png" data-mid="230558761" border="0" src="https://freight.cargo.site/w/1000/i/dbfc4caab02933270cdd11b84c75fba31e9d423c57aa2034268121c62dd043fd/Opulence-15.png" /> <img width="2716" height="1812" width_o="2716" height_o="1812" data-src="https://freight.cargo.site/t/original/i/5068a8f121f3902e7799a584f85febbf300fcec9d0c2f5fd5a6fafea238a1b37/Opulence-8.png" data-mid="230558805" border="0" src="https://freight.cargo.site/w/1000/i/5068a8f121f3902e7799a584f85febbf300fcec9d0c2f5fd5a6fafea238a1b37/Opulence-8.png" /> <img width="2704" height="1813" width_o="2704" height_o="1813" data-src="https://freight.cargo.site/t/original/i/bd5922b7d206fa8e0b301737e665827851932e5980568ec809a016b49b0132dc/Opulence-10.png" data-mid="230558807" border="0" src="https://freight.cargo.site/w/1000/i/bd5922b7d206fa8e0b301737e665827851932e5980568ec809a016b49b0132dc/Opulence-10.png" /> <img width="2718" height="1814" width_o="2718" height_o="1814" data-src="https://freight.cargo.site/t/original/i/d59c4ed45d5b0520d801b73a0cae069c292b7e6fc897dc939d480310bcf7216e/Opulence-35.png" data-mid="230558808" border="0" src="https://freight.cargo.site/w/1000/i/d59c4ed45d5b0520d801b73a0cae069c292b7e6fc897dc939d480310bcf7216e/Opulence-35.png" /> The same two actors play a variation of the fictive characters Bully and Candy in each film. Both depict distorted liminal figures in cinema and act within the frameworks of perverted film clichés. They are constantly entangled in a different melodramatic plot, which reflects on the zeitgeist of the aforementioned film makers and incorporates their stylistic characteristics (the 1950s, 1960s, 1980s and 2000s). In Opulence, for example, Bully and Candy are a neurotic housewife in the fifties and a fugitive terrorist; in Paranoia two playful lovers; in Perversion a mother and her psychic son; and in Competition fellow performing artists who struggle with physical and moral problems. <img width="3360" height="1401" width_o="3360" height_o="1401" data-src="https://freight.cargo.site/t/original/i/419431fb80e15f6b67047ca36fcb0f498b1cc2863951e63a0116cd420e81a46f/Perversion-26.png" data-mid="230558810" border="0" src="https://freight.cargo.site/w/1000/i/419431fb80e15f6b67047ca36fcb0f498b1cc2863951e63a0116cd420e81a46f/Perversion-26.png" /> <img width="3360" height="1390" width_o="3360" height_o="1390" data-src="https://freight.cargo.site/t/original/i/d3c326075d6ed00eaa3e402de3299e198283f0543459e9618a55885d8453c6b3/Perversion-8.png" data-mid="230558765" border="0" src="https://freight.cargo.site/w/1000/i/d3c326075d6ed00eaa3e402de3299e198283f0543459e9618a55885d8453c6b3/Perversion-8.png" /> <img width="3360" height="1389" width_o="3360" height_o="1389" data-src="https://freight.cargo.site/t/original/i/e67e26f2d7b5881c99098c027785f70e3596829e31886461e6a9cb4cc461eab2/Perversion-1.png" data-mid="230558820" border="0" src="https://freight.cargo.site/w/1000/i/e67e26f2d7b5881c99098c027785f70e3596829e31886461e6a9cb4cc461eab2/Perversion-1.png" /> <img width="3360" height="1409" width_o="3360" height_o="1409" data-src="https://freight.cargo.site/t/original/i/d7809a3260aeb19fa04b5466272b91fd2e1ed1e358b0409412675cb4de7bd86c/Perversion-21.png" data-mid="230558812" border="0" src="https://freight.cargo.site/w/1000/i/d7809a3260aeb19fa04b5466272b91fd2e1ed1e358b0409412675cb4de7bd86c/Perversion-21.png" /> <img width="3360" height="1400" width_o="3360" height_o="1400" data-src="https://freight.cargo.site/t/original/i/5e909c952590b3d253facf550ae567c603c4308c83ab0d043029896add8a3ab1/Perversion-14.png" data-mid="230558814" border="0" src="https://freight.cargo.site/w/1000/i/5e909c952590b3d253facf550ae567c603c4308c83ab0d043029896add8a3ab1/Perversion-14.png" /> <img width="3360" height="1405" width_o="3360" height_o="1405" data-src="https://freight.cargo.site/t/original/i/d748bca35409955caba5590f83c92214f9bb5ae31004a39ac8028d5135faaa7a/Perversion-12.png" data-mid="230558817" border="0" src="https://freight.cargo.site/w/1000/i/d748bca35409955caba5590f83c92214f9bb5ae31004a39ac8028d5135faaa7a/Perversion-12.png" /> <img width="3360" height="1391" width_o="3360" height_o="1391" data-src="https://freight.cargo.site/t/original/i/3e75eada47ba063b80e18496ca7f925e0998490e093988e2df14403471d9bb46/Perversion-4.png" data-mid="230558819" border="0" src="https://freight.cargo.site/w/1000/i/3e75eada47ba063b80e18496ca7f925e0998490e093988e2df14403471d9bb46/Perversion-4.png" /> Galerie: a rose is a rose is a rose, Rozenstraat AmsterdamMay 11—July 17, 2022Language: English Year: 2022Length: 4 x 8 minutesDirector: Bart GroenendaalDirector of Photography: Jurgen LisseProduction Design: Marieke van den BoschProperty Master: Elia CastinoSet Dresser: Marnix BloembergProduction Company: Dutch Mountain FilmProducer: Rogier KramerLine Producer: Laura BouwmeesterStars: Cherise Silvestri, Joes BrauersAffiches Paranoia: la Bibliothèque Nationale de France <img width="3360" height="1802" width_o="3360" height_o="1802" data-src="https://freight.cargo.site/t/original/i/b3f06a6c703fc86be4ce1e57b7548778e68eeb4b247da9b803cf68e73d89b114/Competition-7.png" data-mid="230558822" border="0" src="https://freight.cargo.site/w/1000/i/b3f06a6c703fc86be4ce1e57b7548778e68eeb4b247da9b803cf68e73d89b114/Competition-7.png" /> <img width="3360" height="1802" width_o="3360" height_o="1802" data-src="https://freight.cargo.site/t/original/i/0c7e9914cf1d36b0f078784a3de5c0672159ef3d8d3c3ca8ec3ad6de84bd05bb/Competition-21.png" data-mid="230558821" border="0" src="https://freight.cargo.site/w/1000/i/0c7e9914cf1d36b0f078784a3de5c0672159ef3d8d3c3ca8ec3ad6de84bd05bb/Competition-21.png" /> <img width="3360" height="1816" width_o="3360" height_o="1816" data-src="https://freight.cargo.site/t/original/i/76e5a580a88cecdbded3bcc4dd1d1d37c39a01c0a29b7906241f974699fa5dfa/Competition-11.png" data-mid="230558824" border="0" src="https://freight.cargo.site/w/1000/i/76e5a580a88cecdbded3bcc4dd1d1d37c39a01c0a29b7906241f974699fa5dfa/Competition-11.png" /> <img width="3360" height="1807" width_o="3360" height_o="1807" data-src="https://freight.cargo.site/t/original/i/76bc7016903e6e89e10ade66efba3e7daa3174135f36ee77946065d41a95acd9/Competition-15.png" data-mid="230558832" border="0" src="https://freight.cargo.site/w/1000/i/76bc7016903e6e89e10ade66efba3e7daa3174135f36ee77946065d41a95acd9/Competition-15.png" /> <img width="3360" height="1818" width_o="3360" height_o="1818" data-src="https://freight.cargo.site/t/original/i/e1462f74a6ba5546fbbe67abd73ab012a57085f3740d556ada9225caf9071779/Competition-5.png" data-mid="230558835" border="0" src="https://freight.cargo.site/w/1000/i/e1462f74a6ba5546fbbe67abd73ab012a57085f3740d556ada9225caf9071779/Competition-5.png" /> <img width="3360" height="1812" width_o="3360" height_o="1812" data-src="https://freight.cargo.site/t/original/i/3dffeb6193689d5a4b391719677d65223bfc82699768ccdbef3139aaf156e69a/Competition-12.png" data-mid="230558837" border="0" src="https://freight.cargo.site/w/1000/i/3dffeb6193689d5a4b391719677d65223bfc82699768ccdbef3139aaf156e69a/Competition-12.png" /> Mothersproduction design [locations are fiction] <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2890a049117a8f746ea7f2668de9222d00e8730c21358a5f1fdcc900da4e7e3a/Moeders_in-metro.png" data-mid="230558769" border="0" src="https://freight.cargo.site/w/1000/i/2890a049117a8f746ea7f2668de9222d00e8730c21358a5f1fdcc900da4e7e3a/Moeders_in-metro.png" /> <img width="2858" height="1490" width_o="2858" height_o="1490" data-src="https://freight.cargo.site/t/original/i/9caaa701a81eeb783f6af97e2e5be50a4b784dd162fe2e0896702b32a9ea6cf9/Screenshot-2021-09-20-at-17.04.49.png" data-mid="230558838" border="0" src="https://freight.cargo.site/w/1000/i/9caaa701a81eeb783f6af97e2e5be50a4b784dd162fe2e0896702b32a9ea6cf9/Screenshot-2021-09-20-at-17.04.49.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/35f2d1f5e046e3067df8608ae387a6af6b9982a79327b4ef7341d52c07ad8aa9/Schermafdruk-2021-09-07-23.48.49.png" data-mid="230558848" border="0" src="https://freight.cargo.site/w/1000/i/35f2d1f5e046e3067df8608ae387a6af6b9982a79327b4ef7341d52c07ad8aa9/Schermafdruk-2021-09-07-23.48.49.png" /> <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6e869c8413dc4c10769aa07e3dfbe46b67dcc9d8538cb94f10effbec33a72746/Schermafdruk-2021-09-07-23.43.20.png" data-mid="230558840" border="0" src="https://freight.cargo.site/w/1000/i/6e869c8413dc4c10769aa07e3dfbe46b67dcc9d8538cb94f10effbec33a72746/Schermafdruk-2021-09-07-23.43.20.png" /> <img width="2878" height="1800" width_o="2878" height_o="1800" data-src="https://freight.cargo.site/t/original/i/bfadf51dd17614997c76cc01a7d5a24f6e8819d4f8deb213e4015c732dc40f88/Screenshot-2021-09-20-at-17.05.48.png" data-mid="230558841" border="0" src="https://freight.cargo.site/w/1000/i/bfadf51dd17614997c76cc01a7d5a24f6e8819d4f8deb213e4015c732dc40f88/Screenshot-2021-09-20-at-17.05.48.png" /> <img width="2880" height="1520" width_o="2880" height_o="1520" data-src="https://freight.cargo.site/t/original/i/c4fccc6c8c7f318d8af2f3eb542079e39139cf366277d75446a1fb2a19c6f455/Screenshot-2021-09-13-at-23.18.11.png" data-mid="230558847" border="0" src="https://freight.cargo.site/w/1000/i/c4fccc6c8c7f318d8af2f3eb542079e39139cf366277d75446a1fb2a19c6f455/Screenshot-2021-09-13-at-23.18.11.png" /> <img width="2858" height="1484" width_o="2858" height_o="1484" data-src="https://freight.cargo.site/t/original/i/acd9e20d5323b0d4ab26442b53046ff9f801fe530f44f2c14a74745ed1b9f427/Screenshot-2021-09-13-at-23.16.15.png" data-mid="230558846" border="0" src="https://freight.cargo.site/w/1000/i/acd9e20d5323b0d4ab26442b53046ff9f801fe530f44f2c14a74745ed1b9f427/Screenshot-2021-09-13-at-23.16.15.png" /> <img width="2876" height="1800" width_o="2876" height_o="1800" data-src="https://freight.cargo.site/t/original/i/fe9aae7d1f4d36ad0040153fb425107789d37a274172e79fedbd7a7ffc4486d9/Screenshot-2021-09-20-at-17.03.43.png" data-mid="230558845" border="0" src="https://freight.cargo.site/w/1000/i/fe9aae7d1f4d36ad0040153fb425107789d37a274172e79fedbd7a7ffc4486d9/Screenshot-2021-09-20-at-17.03.43.png" /> <img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/c0c301d3a076b98abeaaffe85ee10ef0c196f584df9de428670abefd370990cf/Screenshot-2021-09-20-at-17.05.59.png" data-mid="230558843" border="0" src="https://freight.cargo.site/w/1000/i/c0c301d3a076b98abeaaffe85ee10ef0c196f584df9de428670abefd370990cf/Screenshot-2021-09-20-at-17.05.59.png" /> Documentary Nominated for IDFA Award for Best Dutch FilmLanguage: Dutch Year: 2022Runtime: 81 minDirector: Nirit PeledDirector of Photography: Gregor MeermanProduction Design: Marieke van den BoschProduction Company: Katja Draaijer for BALDR FilmFour mothers explain how their sons ended up in trouble with the law because they fell in with the wrong crowd, experienced trauma or were intimidated by a gang. The offenses are minor, and their involvement was not always proven—sometimes they were only witnesses to a crime. But once Amsterdam’s Top400 crime prevention program has them in its sights, things just get worse for them. The mothers are held hostage by a bureaucracy that entirely disrupts family life. Friends and family see them as bad parents, and the police sometimes even treat them as accomplices. To protect their identity, the mothers themselves don’t appear on camera, but we do hear their voices. Their roles are played by actresses who lip-sync their stories. These stories are not only an expression of frustration, anger and a sense of powerlessness, but also an indictment of the use of algorithms for the prediction of criminal behaviour. This form of crime prevention has a particularly stigmatizing effect and discriminates against socially and economically underprivileged young people from migrant backgrounds. The mess we makeproduction design underwater world <img width="1920" height="891" width_o="1920" height_o="891" data-src="https://freight.cargo.site/t/original/i/79f3430b3de4357b4a79f4e730189746383771a11437a320e79ca2ae2d5165a3/301153166_553659896553365_2164822370310746272_n.jpg" data-mid="230558770" border="0" src="https://freight.cargo.site/w/1000/i/79f3430b3de4357b4a79f4e730189746383771a11437a320e79ca2ae2d5165a3/301153166_553659896553365_2164822370310746272_n.jpg" /> <img width="3000" height="1700" width_o="3000" height_o="1700" data-src="https://freight.cargo.site/t/original/i/b2385dfeed03c6af3dca1fbc437d2e877755a8db2d10340036a47e6a1c1742c0/Screenshot-2025-04-16-at-6.05.14PM.png" data-mid="230558857" border="0" src="https://freight.cargo.site/w/1000/i/b2385dfeed03c6af3dca1fbc437d2e877755a8db2d10340036a47e6a1c1742c0/Screenshot-2025-04-16-at-6.05.14PM.png" /> <img width="2984" height="1706" width_o="2984" height_o="1706" data-src="https://freight.cargo.site/t/original/i/7a7adce2cab5161703b305a57fb2ee3f83fe369a49b036b342df29715cd1703e/Screenshot-2025-04-16-at-6.04.49PM.png" data-mid="230558858" border="0" src="https://freight.cargo.site/w/1000/i/7a7adce2cab5161703b305a57fb2ee3f83fe369a49b036b342df29715cd1703e/Screenshot-2025-04-16-at-6.04.49PM.png" /> <img width="3012" height="1704" width_o="3012" height_o="1704" data-src="https://freight.cargo.site/t/original/i/d2813a1ff903870fac67411dc0b939ad0eca69e155074de6f4eeec49ece84c45/Screenshot-2025-04-16-at-6.03.11PM.png" data-mid="230558849" border="0" src="https://freight.cargo.site/w/1000/i/d2813a1ff903870fac67411dc0b939ad0eca69e155074de6f4eeec49ece84c45/Screenshot-2025-04-16-at-6.03.11PM.png" /> <img width="2992" height="1702" width_o="2992" height_o="1702" data-src="https://freight.cargo.site/t/original/i/ebaae0b5cc56c8ec6a03990d3e97253e35356f32927b85a4eb5541892193d788/Screenshot-2025-04-16-at-6.08.02PM.png" data-mid="230558860" border="0" src="https://freight.cargo.site/w/1000/i/ebaae0b5cc56c8ec6a03990d3e97253e35356f32927b85a4eb5541892193d788/Screenshot-2025-04-16-at-6.08.02PM.png" /> <img width="2986" height="1702" width_o="2986" height_o="1702" data-src="https://freight.cargo.site/t/original/i/be436957bd3d20a98d45f4843a16676c61a537fde7df9a56491778ff844185b0/Screenshot-2025-04-16-at-6.07.24PM.png" data-mid="230558859" border="0" src="https://freight.cargo.site/w/1000/i/be436957bd3d20a98d45f4843a16676c61a537fde7df9a56491778ff844185b0/Screenshot-2025-04-16-at-6.07.24PM.png" /> <img width="2988" height="1700" width_o="2988" height_o="1700" data-src="https://freight.cargo.site/t/original/i/9a896bf90d35a11c69369cc75de58cb53ff8826460e9a6c9bedcaac22451f5df/Screenshot-2025-04-16-at-6.06.22PM.png" data-mid="230558850" border="0" src="https://freight.cargo.site/w/1000/i/9a896bf90d35a11c69369cc75de58cb53ff8826460e9a6c9bedcaac22451f5df/Screenshot-2025-04-16-at-6.06.22PM.png" /> <img width="2992" height="1708" width_o="2992" height_o="1708" data-src="https://freight.cargo.site/t/original/i/bc5da98fa7e94714419f3d8f22572043f0543e623d4705bfc9caa468800e93a1/Screenshot-2025-04-16-at-6.06.35PM.png" data-mid="230558852" border="0" src="https://freight.cargo.site/w/1000/i/bc5da98fa7e94714419f3d8f22572043f0543e623d4705bfc9caa468800e93a1/Screenshot-2025-04-16-at-6.06.35PM.png" /> <img width="2994" height="1704" width_o="2994" height_o="1704" data-src="https://freight.cargo.site/t/original/i/c16a2a80d67eea3b97128e2a22d849b206407c560897576ffbb15505ed697267/Screenshot-2025-04-16-at-6.05.55PM.png" data-mid="230558856" border="0" src="https://freight.cargo.site/w/1000/i/c16a2a80d67eea3b97128e2a22d849b206407c560897576ffbb15505ed697267/Screenshot-2025-04-16-at-6.05.55PM.png" /> <img width="3004" height="1704" width_o="3004" height_o="1704" data-src="https://freight.cargo.site/t/original/i/7a613aa5e6ed32803f651f15b6500c8c5806ff1f7cf5058d171b3c68a788aa89/Screenshot-2025-04-16-at-6.03.27PM.png" data-mid="230558854" border="0" src="https://freight.cargo.site/w/1000/i/7a613aa5e6ed32803f651f15b6500c8c5806ff1f7cf5058d171b3c68a788aa89/Screenshot-2025-04-16-at-6.03.27PM.png" /> Nominated for NFF Award for Best Documentary FilmLanguage: Dutch Year: 2022Runtime: 85 minDirector: Allard Detiger Underwater sequence:Director of Photography: Bas AndriesProduction Design: Marieke van den BoschEditor: Paul de Heer (and preproduction underwater world sparring partner!)Property Master: Elia CastinoSet Dresser: Marnix BloembergDivers: Sjouke Brunia, Mano van der Blom, Siebe StolkProduction Company: Selfmade filmsProducer: Steven Rubinstein MalamudLine Producer: Annemiek MunnekeFilmmaker Allard grew up in a one-parent family with a mother suffering from a borderline personality disorder. A personal documentary about the symbiotic relationship of the maker with his mother. Twenty years after Allard brought back the relationship with his mother to a minimum, the police calls him. They found her in a completely dishevelled house where she can no longer take care of herself. He decides not to abandon her in this state and takes responsibility for her care. Eventually, she ends up in a closed psychiatric ward. In this documentary, she blames her son for everything and wants him to behave like a good son. Trouw:In a series of beautifully designed visual interludes, we see the son underwater: gasping for air, entangled in octopus-like arms, clinging to the white bear. See what you want in it, but associations with a uterus are obvious. At the end, the son swims free to a spot of light. "'Umbilical cord of barbed wire' was the working title," jokes the filmmaker. “I thought it was a bit heavy. But it does reflect my feeling.” de Volkskrant:Detiger also looks for the light in stylized, womb-like underwater images that appear as a motif in the film. It is a bit larmoyant, how the forties, dressed in pajamas, swims towards his old, sad tedday bear in the dark. At the same time, these symbolic images form oases of peace and clarity in the barrage of raw family scenes. As if the film also briefly escapes Ineke’s heartbraking diatribes. SPUTUMproduction design <img width="1200" height="675" width_o="1200" height_o="675" data-src="https://freight.cargo.site/t/original/i/b33e398ddb6d0f1fb8d9fdabd3943ed871129c75b121b3e4197bcb1bcebf4c3e/Sputum_kelder.png" data-mid="230558771" border="0" src="https://freight.cargo.site/w/1000/i/b33e398ddb6d0f1fb8d9fdabd3943ed871129c75b121b3e4197bcb1bcebf4c3e/Sputum_kelder.png" />In the saliva-saturated Sputum world, an ugly class struggle is unfolding. The ruling Antique FAMLY depend on the saliva of the Bakelites to survive an invisible, buzzing, fungus cloud. With invasive, saliva milking machines and an addictive rot powder, their FAMLY enforces a status quo. But when the Bakelite rebellion led by Jimin Blyth gets help from aristocratic Antique deserter Kalta Crux, their future takes a new turn.Premiered at Imagine Filmfestival 2022Language: English Year: 2022Runtime: 90 minDirector: Dan GeesinDirector of Photography: Jeroen KiersProduction Design: Marieke van den BoschProduction Company: Rots FilmwerkProducer: Esther RotsLine Producer: Merel BlomDistribution: FilmfreakStars: Yannick Josefzoon, Jade Olieberg, Guido Pollemans link to trailer&nbsp;︎ Between your earsproduction design <img width="1008" height="567" width_o="1008" height_o="567" data-src="https://freight.cargo.site/t/original/i/b41ef26722383a8fa99871bf1eb3b7b87783b29771672aa79534c89cbb01af9e/Tussen-je-oren-F-Piazolla.jpg" data-mid="230558772" border="0" src="https://freight.cargo.site/w/1000/i/b41ef26722383a8fa99871bf1eb3b7b87783b29771672aa79534c89cbb01af9e/Tussen-je-oren-F-Piazolla.jpg" /> Classical masterpieces played by the Concertgebouw Orchestra evoke fantasies in children. These come to life in every episode. 12 episodes for Dutch Children School TV.&nbsp; Circular Ruins&nbsp;creating the hand-knotted ropes <img width="851" height="567" width_o="851" height_o="567" data-src="https://freight.cargo.site/t/original/i/2e8625955cb9eb85d803eb2fe82314a89dad4b9b3510078de3d2c7f77a590f50/MACs_Vue-de-Fiona-Tan.L-Archive-des-ombresPh-De-Gobert_30-copy.gif" data-mid="230558773" border="0" src="https://freight.cargo.site/w/851/i/2e8625955cb9eb85d803eb2fe82314a89dad4b9b3510078de3d2c7f77a590f50/MACs_Vue-de-Fiona-Tan.L-Archive-des-ombresPh-De-Gobert_30-copy.gif" /> At first glance, the installation Circular Ruins evokes a hanging system for garments in the changing room of a coal mine. Such a room would once have existed at Le Grand Hornu, this work’s commissioner, a contemporary art museum in a post-industrial space. The work consists of an arrangement of concentric circles, 12 metres in diameter, with lengths of hand-knotted ropes hanging almost to the floor, like curtains. The viewer can walk amongst the hanging ropes absorbing their inherent smell and tactile appeal and the variation in the patterns of the knots and the types of rope and cord used. The scale and shape of the sculptural installation are at once imposing and intriguing and the pattern of knots suggest a code to be cracked. A male voice can be heard reading from Borges’ enigmatic short story, 'The Circular Ruins' (1940). The knots in the ropes represent Fiona Tan’s translation of Borges’s words into numbers. Her use of knots is inspired by khipu, a system of intricate knotted cords used as recording device, mnemonic or partial language system by the Incas. Khipu has been interpreted as a proto-computer programming system and it uses a base-10 numerical system like Paul Otlet’s Universal Decimal Classification (UDC). Tan’s wider research into Otlet and his use of circular diagrams are another source of inspiration for this work. The eponymous ruins in Borges’s story are a circular enclosure in the jungle destroyed by fire and once used to worship gods. For Tan, Borges’ circular narrative can be seen as a playful questioning of all artistic endeavour. Is this the poem i promised you?&nbsp;set design<img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/6df81f9ef5c1b9b5fe14be7eb7a039d91fa39e7912a521c7fac9d3314ab3104a/Richard-Westerhuis_Is-This-The-Poem-I-Promised-You_THIN-LINE.jpg" data-mid="230558774" border="0" src="https://freight.cargo.site/w/1000/i/6df81f9ef5c1b9b5fe14be7eb7a039d91fa39e7912a521c7fac9d3314ab3104a/Richard-Westerhuis_Is-This-The-Poem-I-Promised-You_THIN-LINE.jpg" /> Photo series 'Is This The Poem I Promised You? by Dutch photographer Richard Westerhuis. The people in the story have disappeared, but what they have left behind stimulates our imagination. In each photo of such a recreated room, the light is slightly different and new props can be seen. They raise many questions: Who were the inhabitants of this house? Why did they leave in a hurry? Did something bad happen there? Or is there another, much simpler explanation for why the rooms look so messy and empty? War Save Meproduction design<img width="1008" height="567" width_o="1008" height_o="567" data-src="https://freight.cargo.site/t/original/i/096369af74cd46ca1fe6d6e66fa056442fa572744360fc06e26d7b0f3a52cdb6/War-Save-Me-1008-x-567-kopie.jpg" data-mid="230558776" border="0" src="https://freight.cargo.site/w/1000/i/096369af74cd46ca1fe6d6e66fa056442fa572744360fc06e26d7b0f3a52cdb6/War-Save-Me-1008-x-567-kopie.jpg" /> A war rages inside the head of P., a homeless drifter who only finds peace in his fantasy. Portraits of homeless people are plentiful. But what does their inner world look like? This feature film grants us a raw, cinematic glimpse into P.’s twisted thoughts. His restless wanderings through the city and the hustle and bustle of the night shelter make him long for the clarity and purpose of war. Because in real life, boredom and tension always go hand in hand. No clichés or imperative storyline, but a gritty slice of lifeexposing inconvenient and invisible aspects of our society.Nominated for NFF Award for Best Short Film In Summerproduction design<img width="1008" height="567" width_o="1008" height_o="567" data-src="https://freight.cargo.site/t/original/i/666a0296061e4e2b40306b5f7eb24c4a3d9735ba382786b711fa98a7153043a3/in_de_zomer_still.0009172klein.jpg" data-mid="230558777" border="0" src="https://freight.cargo.site/w/1000/i/666a0296061e4e2b40306b5f7eb24c4a3d9735ba382786b711fa98a7153043a3/in_de_zomer_still.0009172klein.jpg" /> A subtle family drama which focuses on the relationship between two Turkish sisters. It’s the untold story of the first generation of Turkish guest-workers that moved back to Turkey and the second generation that stayed behind. This will be told through the eyes of Meral (who lives more to the Turkish traditions) and Elif, who is her Dutch counterpart. Their difference in lifestyle is one of the reasons they cannot get along well, the only binding element in their relationship is their father Mehmet. But he’s about to move back to Turkey. The sisters help him to pack his things, while fighting over their cultural differences. When they’re done, Mehmet ensures them that they can come and visit him this summer. They do, but this time to pack the things of the passed away Mehmet while the tension on their mutual relationship begins to rise… Winner BUMA award&nbsp; Think of something blueproduction design <img width="2041" height="850" width_o="2041" height_o="850" data-src="https://freight.cargo.site/t/original/i/23bb3e21930a28cd6ae6629c909a999a38e7d7ead7593e75dc27d29b0b42132f/BLAUW_1.png" data-mid="230558778" border="0" src="https://freight.cargo.site/w/1000/i/23bb3e21930a28cd6ae6629c909a999a38e7d7ead7593e75dc27d29b0b42132f/BLAUW_1.png" />Think of something blue is based on a Dutch Poem by Martijn den Ouden. It portrays a man, dealing with loneliness and mourning, comforted by memories of his loved one. Think of something blue, Of a swimming pool with women relaxing on the side In blue bathing suits drinking blue coctails through blue straws And reading books with a blue cover&nbsp; And sometimes they look up at the sky To satisfy themselves if the firmament still is bright and tight If there isn’t a cloud floathing around And no, the air is crisp, heavenly blue The women place their books on their legs, with the blue cover up View their blue painted nails Take a sip with the blue straw of their blue coctails Raise their books from their legs and resume reading While the sisters are swimming, silently swimming&nbsp; Light and smooth through the fresh water You hear them breathe Or the water whirling Sliding wrinkels over wrinkels And other then the colour of their bodies everything is blue Think of something blue, The sports car of sugar daddy Sander Loaded, quick, colour-blind Assuming he’s driving a green Triumph Spitfire Leave him in delusion And think of the shiny blue lacquer And royal blue leather gloves of his wife Smoke, drink vermouth bianco And look out from the flat beaten tower on the rocks, over the summer blue sea And stand up Let lukewarm water flow over the wrists Breathe quietly Place a cold teaspoon on the tongue Think of something blue Balloons Big dreamy eyes Weddings Castles made of air Azizaproduction design <img width="3264" height="1701" width_o="3264" height_o="1701" data-src="https://freight.cargo.site/t/original/i/158d0cc324561573f9720a54733ad56da30198412b7dc24c8e1747af8e611736/Aziza-woonkamer.jpg" data-mid="230558781" border="0" src="https://freight.cargo.site/w/1000/i/158d0cc324561573f9720a54733ad56da30198412b7dc24c8e1747af8e611736/Aziza-woonkamer.jpg" /> Aziza feels lost as she does not seem to find a person to confide in, when struggling with a personal issue. Her protective brother suspects that she is hiding something. But is her brother really as unforgiving as he's pretending to be? Geografie der ZeitSet dressser<img width="2268" height="1512" width_o="2268" height_o="1512" data-src="https://freight.cargo.site/t/original/i/e50ee57fe8357c9323172df0b24a2fecdda5ebc2f1d3f35a87603be76daf7fd6/-Pic10-Geo.jpg" data-mid="230558783" border="0" src="https://freight.cargo.site/w/1000/i/e50ee57fe8357c9323172df0b24a2fecdda5ebc2f1d3f35a87603be76daf7fd6/-Pic10-Geo.jpg" /> Fiona Tan has transformed the ground floor of the MMK 1 into a parcours in which video projections, audio and sculptural works join in a concentrated reflection on the individual in an increasingly disjointed globalized world.The artist contrasts her filmic portraits of these melancholic sites with a domestic environment that seems to be expecting the return of its mysterious inhabitant at any moment. History’s Futureproduction designer assistant<img width="640" height="427" width_o="640" height_o="427" data-src="https://freight.cargo.site/t/original/i/618a6554cd9b6f7071ff40374033ed7023f9dd71177f88961be7a1257c3af5c5/Historys-Future_website1.jpg" data-mid="230558780" border="0" src="https://freight.cargo.site/w/640/i/618a6554cd9b6f7071ff40374033ed7023f9dd71177f88961be7a1257c3af5c5/Historys-Future_website1.jpg" /> Part fiction, part documentary, part essay on the contemporary world, HISTORY'S FUTURE is one man's odyssey through a Europe in turmoil - and through his own mind. Options and Futuresproduction designer assistant <img width="2268" height="1701" width_o="2268" height_o="1701" data-src="https://freight.cargo.site/t/original/i/d1d9750d83824289ccc69be3626acffcfa02f90863d69abaf858eb0d39b613cd/-PICOptions-Futuresexpo7.jpg" data-mid="230558782" border="0" src="https://freight.cargo.site/w/1000/i/d1d9750d83824289ccc69be3626acffcfa02f90863d69abaf858eb0d39b613cd/-PICOptions-Futuresexpo7.jpg" /> In the back room Fiona Tan creates a dramatic architectural metamorphosis; It's a new twist in her oeuvre. New video installations and spatial images included in this carefully orchestrated and enigmatic environment. For her biggest, complex installation she traveled among other things to Detroit (USA), Fukushima (Japan), Cork (Ireland) and Angers (France) to capture social decay and economic devastation. She presents us a sample of her own complex feelings and the communities she encounters in a time of turmoil and tumult. The "system" (the government and large institutions) will no longer be trusted. Berlinale Talent 2023<img width="1275" height="1275" width_o="1275" height_o="1275" data-src="https://freight.cargo.site/t/original/i/9574d0150dc0bbe8600d10d010efe6dc8235bbb17720c5c6b56a6c3a72ae3804/FINAL_Berlinale-Talents-Social-Media-Templates-Talents-MBvandenBosch.jpg" data-mid="230558784" border="0" src="https://freight.cargo.site/w/1000/i/9574d0150dc0bbe8600d10d010efe6dc8235bbb17720c5c6b56a6c3a72ae3804/FINAL_Berlinale-Talents-Social-Media-Templates-Talents-MBvandenBosch.jpg" /> Workshops and Talks<img width="2048" height="1228" width_o="2048" height_o="1228" data-src="https://freight.cargo.site/t/original/i/bc779bff8ecd73ef9499c7716e591e063744611c34e5a1223a42f6762c652381/47a8291e-82ce-4caf-ad70-6a6ec3d6554d.jpg" data-mid="230558785" border="0" src="https://freight.cargo.site/w/1000/i/bc779bff8ecd73ef9499c7716e591e063744611c34e5a1223a42f6762c652381/47a8291e-82ce-4caf-ad70-6a6ec3d6554d.jpg" /> SPAfricaproduction @ studio julian hetzel<img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/ff4d616b320ab949f58bf7380e5f516301783f7296aa19ef25259d6d8b065ff8/SPAfrica_swing.png" data-mid="230558789" border="0" src="https://freight.cargo.site/w/1000/i/ff4d616b320ab949f58bf7380e5f516301783f7296aa19ef25259d6d8b065ff8/SPAfrica_swing.png" /> Diarrhea is my favorite colorproduction @ studio julian hetzel&nbsp;<img width="1024" height="512" width_o="1024" height_o="512" data-src="https://freight.cargo.site/t/original/i/6266e55ce8abdc198b17e423857f17d9cf0442ec72be6c8c3b04c441a0caeaae/NEW_Diarree-is-mijn-lievelingskleur_liggend_hr_fotoHenkClaassen_web.png" data-mid="230558790" border="0" src="https://freight.cargo.site/w/1000/i/6266e55ce8abdc198b17e423857f17d9cf0442ec72be6c8c3b04c441a0caeaae/NEW_Diarree-is-mijn-lievelingskleur_liggend_hr_fotoHenkClaassen_web.png" /> There will be lightproduction @ studio julian hetzel <img width="1400" height="933" width_o="1400" height_o="933" data-src="https://freight.cargo.site/t/original/i/9b2e63837cbb60d6303a89e06a48743ffd390bf5fc0c631f8129308842fd4f63/TWBL_miguel_Den-haag.png" data-mid="230558791" border="0" src="https://freight.cargo.site/w/1000/i/9b2e63837cbb60d6303a89e06a48743ffd390bf5fc0c631f8129308842fd4f63/TWBL_miguel_Den-haag.png" /> PhotographyFree work with the Mamiya NC1000s | Leica D-Lux <img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/73bc32428fc7349e414293c588a03be9da25241406b53e7611a57147b3ebefa2/L1090547.JPG" data-mid="230558861" border="0" src="https://freight.cargo.site/w/1000/i/73bc32428fc7349e414293c588a03be9da25241406b53e7611a57147b3ebefa2/L1090547.JPG" /> <img width="1818" height="1228" width_o="1818" height_o="1228" data-src="https://freight.cargo.site/t/original/i/19bd0eb1fa267a485a3b9cb63049e1433939eaa36ba203094ef4f7809cb10405/A061133-R1-01-1.JPG" data-mid="230558786" border="0" 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data-src="https://freight.cargo.site/t/original/i/4e2187356b0b635752a63bc4d4e8f490f09873699f351ad77f8a3ed9ce1f14b6/L1100188.JPG" data-mid="230558872" border="0" src="https://freight.cargo.site/w/1000/i/4e2187356b0b635752a63bc4d4e8f490f09873699f351ad77f8a3ed9ce1f14b6/L1100188.JPG" /> <img width="1818" height="1228" width_o="1818" height_o="1228" data-src="https://freight.cargo.site/t/original/i/8b42cc978800884856405c848a5a0c7472fb32d83d60a593f8a32738aa7b19f9/A060838-R1-23-24_V2.jpg" data-mid="230558874" border="0" src="https://freight.cargo.site/w/1000/i/8b42cc978800884856405c848a5a0c7472fb32d83d60a593f8a32738aa7b19f9/A060838-R1-23-24_V2.jpg" /> <img width="4480" height="2520" width_o="4480" height_o="2520" data-src="https://freight.cargo.site/t/original/i/57999646f7a69a1ed0b5433fccf4050520d90f67506cedc8458849300ced634d/AtheneL1080691.JPG" data-mid="230558876" border="0" src="https://freight.cargo.site/w/1000/i/57999646f7a69a1ed0b5433fccf4050520d90f67506cedc8458849300ced634d/AtheneL1080691.JPG" /> <img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/c27f1adcdfd69e8c163e5e0f5c5c5c268fa2c91be8c4b84714c6e005a3e20d25/L1090380.JPG" data-mid="230558873" border="0" src="https://freight.cargo.site/w/1000/i/c27f1adcdfd69e8c163e5e0f5c5c5c268fa2c91be8c4b84714c6e005a3e20d25/L1090380.JPG" /> <img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/ccf02026b66a47700695f774f84cb0bc38be9e656c68d451a04f36c3c0c9291a/L1090343.JPG" data-mid="230558875" border="0" src="https://freight.cargo.site/w/1000/i/ccf02026b66a47700695f774f84cb0bc38be9e656c68d451a04f36c3c0c9291a/L1090343.JPG" /> <img width="1818" height="1228" width_o="1818" height_o="1228" data-src="https://freight.cargo.site/t/original/i/b5a6a5e6d1d90e9bb668a3a545f2ab30884d6298b2e40d93aadfb4cdd091aeb0/A061744-R1-34-36.JPG" data-mid="230558878" border="0" src="https://freight.cargo.site/w/1000/i/b5a6a5e6d1d90e9bb668a3a545f2ab30884d6298b2e40d93aadfb4cdd091aeb0/A061744-R1-34-36.JPG" /> <img width="4480" height="2520" width_o="4480" height_o="2520" data-src="https://freight.cargo.site/t/original/i/69b25a1e187103c1962aa1c909aaa36547cf70ff1e130a2ade1c81b0575d4de5/L1070995.JPG" data-mid="230558864" border="0" src="https://freight.cargo.site/w/1000/i/69b25a1e187103c1962aa1c909aaa36547cf70ff1e130a2ade1c81b0575d4de5/L1070995.JPG" /> <img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/e5bccb4a74f7d54ecb82a7317e91853fc840697f525aa6badcbedcae6404adb2/L1090645.JPG" data-mid="230558870" border="0" src="https://freight.cargo.site/w/1000/i/e5bccb4a74f7d54ecb82a7317e91853fc840697f525aa6badcbedcae6404adb2/L1090645.JPG" /> <img width="1818" height="1228" width_o="1818" height_o="1228" data-src="https://freight.cargo.site/t/original/i/273abbae9916787bfa881f0c1da82a54c0bbb14f840fd5cd99cda57672750fd9/A061744-R1-31-33.JPG" data-mid="230558877" border="0" src="https://freight.cargo.site/w/1000/i/273abbae9916787bfa881f0c1da82a54c0bbb14f840fd5cd99cda57672750fd9/A061744-R1-31-33.JPG" /> <img width="4112" height="3088" width_o="4112" height_o="3088" data-src="https://freight.cargo.site/t/original/i/8f57eb4ab40a81ed76d642443615c37c6d1be5ba7ae788ed2063996b32ebeff2/L1080150.JPG" data-mid="230558866" border="0" src="https://freight.cargo.site/w/1000/i/8f57eb4ab40a81ed76d642443615c37c6d1be5ba7ae788ed2063996b32ebeff2/L1080150.JPG" /> <img width="4112" height="3088" width_o="4112" height_o="3088" data-src="https://freight.cargo.site/t/original/i/d57264b3ae764799f1a68619a6289728502bd09417239de75be62496af75d6ff/L1100136.JPG" data-mid="230558868" border="0" 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